Infinite Hearth

24 April 2026
WORDS BYNishi Chawla
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Infinite Hearth
Home is not a beginning,
not a roof raised upon beams,
nor doorway swinging open to let you in.
older than timber,
older than clay
threading through air,
silent music between breath and stone,
precedes the first story told
endures beyond the last.

Across India, Gond and Santhal
smell wet earth after the monsoon,
sal forests open like green cathedrals.
Home, drumbeat of festivals,
mahua flowers ferment honeyed drink,
painted walls, animals leap alive in pigment.

The Bhil’s courtyard, a cosmos of color -
dot and line of continuity.

Nagas listen for the long horn at dawn,
smell bamboo smoke curl from hearths,
taste rice beer,
voices braided with hills, echo
like a second heartbeat.

Khasi hear rainfall, hollows of mountains,
mossy steps slick with mist,
betel leaves fragrant beneath open sky,
living root bridges swing, quiet strength.
Mizo trace bamboo flutes along streams,
laughter curving with clouds,
fires crackle, stories of shifting hills,
huts hum with remembrance.

Todas feel velvet grass underfoot,
herd-bulls graze beneath Nilgiri mist,
milk churned by hand, whisper to the hills,
ceremonial embroidery folding sky into cloth.
Home stretches across forest, plateau, river, hill,
landscape stitched, breath and ritual,
ancestors moving between body and earth.

Across oceans, Diné home hums in four
sacred mountains, rust-red glow at dawn,
flute carried by desert wind,
bitterness of juniper smoke rising to the sky.
Sandstone holds warmth of the day,
cooling, as coyotes sing evening home.

Acoma breathe belonging, mesa’s skin,
tongues taste the salt of roasted corn,
hands roughened by clay vessels
remember the touch of generations
inhale is tethered to the horizon,
exhale returns the sky to itself.

Quechua whisper to Pachamama,
cold air in Andes stings lungs,
coca leaves on tongue steady
for dialogue with mountains.
Alpaca wool brushes skin, a second warmth.
Chaski runner’s footfalls drum
message through thin air,
each step a prayer.

Mapuche carry fire, their veins
smoke of burning wood,
metallic tang of river fish on open flame,
songs rising rough as the wind,
defiant, ancestral, echoing
in valleys that refuse silence.

Far south and east, Aboriginal songlines
sung with breath, shake the didgeridoo.
Red dust coats soles of feet,
sun tasting of iron in the mouth.
Waterholes gleam with sweetness beyond thirst.
Each dune, stone, glimmering horizon
syllable in a hymn only earth remembers.

Inuit know home shifts with ice.
Tongue tastes seal oil’s depth,
hands grip smooth curve, bone-carved tool.
Drums through igloos, snow-bright silence.
Aurora ripples, great spirit’s cloak,
paint skies with green fire.

Not a dwelling,
chorus of landscapes,
convergence of skies.
where the sacred listens,
footprints fuse with memory,
language grows from the ground.

To belong is to kneel with Bhil brushstroke,
to climb with the Quechua breath,
to walk with Aboriginal song,
to stand still with the Diné wind,
to glide with Inuit silence.

Not place but presence,
not structure but resonance,
the fire in the bone,
drumbeat of the earth’s skin,
taste of survival,
smell of persistence,
sound of voices unbroken.
unbroken across tribes and time,
a single, infinite hearth.
author

Nishi Chawla

Dr Nishi Chawla is an academic, writer, and filmmaker. Nishi Chawla has published ten plays, three novels, and eight collections of poetry. She has also written and directed four award-winning arthouse feature films. She has also co-edited two global poetry anthologies published by Penguin Random House: 'Greening the Earth' and 'Singing in the Dark.'

Dr Nishi Chawla holds a doctorate in English from the George Washington University, Washington, D.C., and a postdoctoral degree from the Johns Hopkins University, Baltimore, Maryland. After teaching for nearly 20 years as a tenured Professor of English at Delhi University, India, Nishi Chawla migrated with her family to a Washington, D.C., suburb. She has taught English Literature for 40 years at the University level.

She is one of the few Indian playwrights to have two plays in Manhattan, NY.
She is the third Indian poet ever to be invited for a reading and a discussion of the US Library of Congress organized, 'The Poet and the Poem' program.

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