In 2014, Bruce Kirkby and his young family travelled overland from their home in Canada to Karsha Gompa, a thousand-year-old Buddhist monastery in the remote Zanskar valley of Ladakh. They spent four months living in a small mud brick home perched on steep cliffs. In his subsequent book, “Blue Sky Kingdom”, he wrestles with the cataclysmic changes descending on Zanskar, threatening to topple a millennia-old traditional way of life. In this issue, Bruce has curated a collection of excerpts from his book, accompanied by a discussion that aims to take readers on a journey back in time, compelling us to ponder the true cost of progress.

In “The Blue Remembered Hills,” Meher Mirza revisits our beloved Coonoor’s colonial charm with gentle humour and descriptive effervescence. She narrates the transformation of 19th-century Coonoor from a land of indigenous forests and native Indian dwellings into a colonial “hill-station”. The Europeans fashioned Coonoor into a sanatorium, indulging in its mild climate and developing a rich culinary and social scene. Meher captures the dichotomy of Coonoor’s identity—between its colonial past and natural beauty—through vivid descriptions of its evolving landscape, community, and the fleeting yet impactful moments of joy and cultural exchange.

Malati Mukherjee, a “Seeker” and stage 3 endometrial cancer survivor, embodies a strong belief in holistic living and natural healing. She introduces us to Dr. Dorjee Rapten Neshar, the principal and lead physician at Bengaluru’s Men-Tsee-Khang (Tibetan Medical and Astro Institute). Their conversation, both compassionate and compelling, delves into the ancient Sowa Rigpa system of medicine. Dr. Dorjee underscores the critical importance of revisiting and embracing the healing arts of ancient medical traditions and practices. Among these, Tibetan Medicine, emerging from the sacred Himalayan mountains and rooted in Buddhist principles, stands out for its profound wisdom and healing approach.

“Nestled in the Clouds: Lifestyle of the Monpa Community”, by Julie Kagti, is an immersive ethnographic essay on the Monpa people indigenous to the Arunachal Pradesh mountains. Through her narrative, Julie artfully blends the rich facets of Monpa culture – traditional architecture, spirituality, cuisine, and textiles – crafting a vivid depiction of their life in communion with the mountainscape. Julie’s essay celebrates the Monpas’ intricate relationship with their environment, portraying a community where tradition and the natural world are interwoven beautifully.

In a fictional story drawn from personal childhood memories, Sohail Rekhy crafts a narrative of love for nature, ancient Shola forests shrouded in dense fog, wet tar roads, and a two-hundred-year-old tree. This tale poignantly explores the enduring connection between a father and his daughter, renewing and deepening their bond.

“From the Land of Apricots” is a captivating photo essay by Ayan Biswas that portrays the lives of the indigenous Dard tribe and their relationship with apricot trees in Ladakh. Apricots, introduced from China and Central Asia over a century ago, have become integral to Ladakh’s local culture and life. The photos in this essay tell a story of belonging, of how the “other” becomes “intimate”, the silent language of trees, the silent love of a people, and the celebration of the exquisite bond of arboreal and human mutuality.

Pravin Shanmuganandam’s photo essay, “The Keepers of the Elephant Hills,” captures the complex relationship between Asian elephants and their caretakers, the mahouts, in the Anamalai Hills. Unlike other regions where elephants are held captive, the bond between the gentle giants and mahouts in the Anamalais is ancient and revered. Pravin sheds light on this sacred relationship between humans and animals through his photographs and notes.

Gayatri Ganesh’s essay “Dawn of Bear Island” offers connection and coexistence as antidotes to man-animal conflict. She takes us on a journey from indigenous cultures’ ways of living in compassionate coexistence with nature to the present, where man and animal are adversaries. Through her immersive encounters with sloth bears in the Nilgiris, Gayatri finds a path to joyful coexistence with the wild and invites us to reimagine our adversarial relationship with nature.

In “Mountains and Meaning: Journeys of the Body and Soul”, Olaf Willoughby explores mountains as metaphor and muse; the mountainscape as a portal of transcendence. Against the glacial backdrop of the Antarctic, Olaf delves into mountain climbing as both a physical and metaphysical peregrination. Mountaineering, understood in this expansive sense, is not merely about pushing one’s physical limits through a change in altitude. It is about shifting our perspective to transcend the trappings of our solipsistic mental prisons. Through immersion in the mountain vistas, we arrive at the limits of the body and the limitlessness of the soul.

In 1994, Vanya Orr, embarked on a life-changing journey to the Nilgiris, inspired by a nostalgic trip with her mother. This visit sparked a deep commitment to sustainable organic farming, women’s empowerment, and traditional knowledge preservation and led to the establishment of H.O.P.E., a cooperative focusing on herbs and essential oils, and Environment and Agri Research Foundation, promoting organic farming. Her endeavours culminated in founding The Earth Trust in 2004, emphasizing organic agriculture, women’s skill development, and ecological education for children, establishing Vanya as a symbol of sustainability and community empowerment in the Nilgiris. In conversation with Ramya Reddy from her home in Wales, Vanya reflects on her transformative Nilgiris experience. Discussing the region’s spiritual influence, her family’s legacy, and inspiring initiatives, Vanya envisions a sustainable Nilgiris and offers advice to environmental and community advocates, stressing the significance of indigenous wisdom in sustainable practices and the deep connection with nature.

Vivek Raj Singh, once a reserved college student, found an anchor in photography amidst life’s challenges. Approaching his 30s, this passion became a burden, leaving him feeling lost. The pandemic, however, sparked a shift, leading him to explore new creative avenues. He found freedom in capturing spontaneous moments with strangers and birds over rain-drenched streets. In this personal account, Vivek shares his journey of reigniting his passion for photography and the inspiration behind his cherished Landour series, marking a renewed love for capturing life through his lens.

Some dreams die so we can learn to live. In the wake of separation from her life partner, a grieving woman is guided by a homing instinct to the Nilgiris. “The Alchemy of Loss”, by Ashna Ashesh, is a story of coming home to the mountains and to oneself. It is a tender meditation on the alpine alchemy of transforming loss into love and on how grounding presence is an antidote to glaring absence.

Our illustrators for the issue, AJ Mallari, Toshi Singh and Rupali Goel have yet again livened up the pages with their beautiful illustrations.

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We deeply appreciate your ongoing support and look forward to sharing more.

Love, Team Coonoor&Co